Harmonic Analysis: A Course in the Analysis of the Chords and of the Non-harmonic Tones to be Found in Music, Classic and Modern |
Other editions - View all
Harmonic Analysis: A Course in the Analysis of the Chords and of the Non ... Benjamin Cutter No preview available - 2009 |
Common terms and phrases
accent Allegretto altered chord Andante Andantino Appoggiatura augmented chord bass BEETHOVEN Bizet broken chord cadence carelessly calling F change of key Chopin chord change chord structure chord tone Chromatic alterations chromatic chord composers Cramer CUTTER Czerny diatonic diminished seventh chord dominant harmony dominant seventh Embellishment enharmonic enharmonic notation Etude example exercises figurings flats Flying Dutchman foreign tone Free Tone Grieg Harmonic Analysis held tone Ibid impression inversion L'Arlésienne L'Organiste Lohengrin major triad marked measure minor second Moderato modern music modulatory move MOZART Neapolitan Sixth occur Organ Point passage Passing Tone phrase Piano Prelude Presto principal chord Principles of Analysis Real Modulations Reduction REFERENCES regarded Roman numeral scale steps SCHUBERT Schumann Second-Relationships Section sequence SIGN simili skip soprano student Suite supertonic seventh Suspension Tannhäuser tempo text-book third or fifth tion tonic tonic harmony troppo V₁ V₂ Violin Sonata Vivace voices Wagner whole chord नॅ नॅ
Popular passages
Page v - THE NONHARMONIC TONES TO BE FOUND IN MUSIC, CLASSIC AND MODERN BY BENJAMIN CUTTER Price, Post-paid, $1.25 THIS book is designed for those who have studied Harmony and would apply it in their every-day musical life, in their playing and in their teaching. It is believed that by a careful study of this book one may learn not only to analyze and to understand anything in the way of harmony that he may chance to meet in musical literature, classical or modern, but — what is far more important — through...
Page vi - HPHIS book is designed for those who have studied Harmony and would apply it in their every-day musical life, in their playing and in their teaching. It is believed that by a careful study of this book one may learn not only to analyze and to understand anything in the way of harmony that he may chance to meet in musical literature, classical or modern, but — what is far more important — through his heightened powers of comprehension he may be enabled to hear with greater understanding , to read...
Page 13 - Some theorists contend that such a progression is a modulation ; that any chord which has the inter vals of a dominant seventh, and is properly resolved, is an undoubted dominant. Other theorists contend that a real modulation is made...