The Borderlands of Culture

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Duke University Press, 4 de abr de 2006 - 525 páginas
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Poet, novelist, journalist, and ethnographer, Américo Paredes (1915–1999) was a pioneering figure in Mexican American border studies and a founder of Chicano studies. Paredes taught literature and anthropology at the University of Texas, Austin for decades, and his ethnographic and literary critical work laid the groundwork for subsequent scholarship on the folktales, legends, and riddles of Mexican Americans. In this beautifully written literary history, the distinguished scholar Ramón Saldívar establishes Paredes’s preeminent place in writing the contested cultural history of the south Texas borderlands. At the same time, Saldívar reveals Paredes as a precursor to the “new” American cultural studies by showing how he perceptively negotiated the contradictions between the national and transnational forces at work in the Americas in the nascent era of globalization.

Saldívar demonstrates how Paredes’s poetry, prose, and journalism prefigured his later work as a folklorist and ethnographer. In song, story, and poetry, Paredes first developed the themes and issues that would be central to his celebrated later work on the “border studies” or “anthropology of the borderlands.” Saldívar describes how Paredes’s experiences as an American soldier, journalist, and humanitarian aid worker in Asia shaped his understanding of the relations between Anglos and Mexicans in the borderlands of south Texas and of national and ethnic identities more broadly. Saldívar was a friend of Paredes, and part of The Borderlands of Culture is told in Paredes’s own words. By explaining how Paredes’s work engaged with issues central to contemporary scholarship, Saldívar extends Paredes’s intellectual project and shows how it contributes to the remapping of the field of American studies from a transnational perspective.

 

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Conteúdo

In Memoriam
1
History and Remembrance as Social Aesthetics
19
The Memory Is All That Matters
21
A Life in the Borderlands
62
Fictions of the Transnational Imaginary
141
The Checkerboard of Consciousness in George Washington Gómez
143
Transnational Modernisms Paredes Roosevelt Rockwell Bulosan and the Four Freedoms
188
Paredes and the Modernist Vernacular Intellectuals George I Sánchez and Emma Tenayuca
224
Border Subjects and Transnational Sites The Hammon and the Beans and Other Stories
287
Narrative and the Idioms of Race Nation and Identity
316
The Postwar Borderlands and the Origins of the Transnational Imaginary The OccupationEra Writings in Pacific Stars and Strips and El Universal
342
The Shadow and the Imaginary Functioning of Institutions
393
A Transsentimental Journey
430
Notes
437
Works Cited
475
Index
501

The Borders of Modernity
239
Bilingual Aesthetics and the Law of the Heart
262

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Sobre o autor (2006)

Ramón Saldívar is Professor of English and Comparative Literature, Chair of the Department of English, and the Hoagland Family Professor of Humanities and Sciences at Stanford University. He is the author of Figural Language in the Novel: The Flowers of Speech from Cervantes to Joyce and Chicano Narrative: The Dialectics of Difference.

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