Prints and Printmaking: An Introduction to the History and TechniquesA print is a pictorial image that has been produced by a process that enables it to be multiplied, and many of the best-known works by some of the world's greatest artists are prints. Yet little is understood about this popular art form. Now Antony Griffiths provides an excellent introduction for anyone who wishes to acquire a basic understanding of prints and printmaking. In succinct and lucid language, he explains the different printmaking techniques and shows both details and whole prints to demonstrate the effects that can be achieved. Woodcuts, engraving, etching, mezzotint, and lithography are among the many processes explained, illustrated, and placed within a historical context. This fully revised and updated edition of the highly praised 1980 British publication is available for the first time in the United States. With its complete glossary, index, and helpful illustrations, Griffiths's book is the essential foundation for an intelligent appreciation of the printmaker's art. |
Other editions - View all
Prints and Printmaking: An Introduction to the History and Techniques Antony Griffiths Limited preview - 1996 |
Prints and Printmaking: An Introduction to the History and Techniques Antony Griffiths No preview available - 1996 |
Common terms and phrases
acid Albrecht Dürer aquatint aquatint ground areas artists block blockbooks book illustration burin burr catalogue colour printing colour woodcut copper plate crayon-manner decorative developed distinguished dots drawing drypoint Dürer earliest early edition effect eighteenth century England engraving Engraving actual etched line etched plates etcher Etching actual etching ground Etching reduced facsimile fifteenth-century France French gelatine German gillotage Glossary and Index half-tone hand photogravure hand-coloured Hendrik Goltzius impression Intaglio Printing Intaglio Printing Processes invention Italian Italy J. M. W. Turner landscapes lettering line-block lithograph Lucas van Leyden Marcantonio medium metal Metalcut mezzotint niello nineteenth century occasionally original paintings Paris Parmigianino photographic photogravure photomechanical processes plate-mark popular portrait printer printing surface printmaking produced proofs published Relief Printing Rembrandt reproductive engravers screen screenprinting sheet of paper sixteenth century Soft-ground etching sometimes stencil stipple stone technique term tonal tone tradition transferred usually volumes wash wood-engraving