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" A major, to mark the many chromatic harmonies, as chromatic alterations in this key, is to strain the key unwarrantably ; they would call each apparent change of key a real change, with a mental reservation as to the correctness of the analysis ; would,... "
Harmonic Analysis: A Course in the Analysis of the Chords and of the Non ... - Page 16
by Benjamin Cutter - 1902 - 130 pages
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Church Music Review and Official Bulletin of the American Guild of ..., Volume 7

Church music - 1908 - 704 pages
...that while this passage may be in Amajor, to mark the many chromatic harmonies as chromatic alteration in this key is to strain the key unwarrantably; they...one tenable, and depending on the point of view." Let us now apply the test of writing 6ut, below the Wagner passage, first, a figuring on the principle...
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