A major, to mark the many chromatic harmonies, as chromatic alterations in this key, is to strain the key unwarrantably ; they would call each apparent change of key a real change, with a mental reservation as to the correctness of the analysis ; would,... Harmonic Analysis: A Course in the Analysis of the Chords and of the Non ... - Page 16 by Benjamin Cutter - 1902 - 130 pages Full view -
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