Prints and Printmaking: An Introduction to the History and Techniques

acid Albrecht Dürer aquatint aquatint ground areas artists block blockbooks book illustrations burin burr catalogue colour printing colour woodcut copper plate crayon-manner decorative developed distinguished dots drawing drypoint Dürer earliest early edition effect eighteenth century England engraving Engraving actual etched line etched plates etcher Etching actual etching ground Etching reduced facsimile fifteenth-century France French gelatine German gillotage greatly reduced half-tone hand photogravure hand-coloured Hendrik Goltzius impression Intaglio Printing Intaglio Printing Processes invention Italian Italy J. M. W. Turner landscapes lettering line-block lithograph Lucas van Leyden Marcantonio medium metal Metalcut mezzotint niello nineteenth century occasionally original paintings Paris Parmigianino photographic photogravure photomechanical processes plate-mark popular portrait printer printing surface printmaking produced proofs published Relief Printing Rembrandt reproductive engravers screen screenprinting seventeenth century sheet of paper sixteenth century Soft-ground etching sometimes stipple stone technique term tonal tone tradition transferred usually volumes wash wood-engraving